Studia Filmoznawcze, 38, 2017, ss.208

Strony redakcyjne i spis treści

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Contemporary Transnational Westerns: Trajectories and Constellations

DOI: http://dx.doi.org/10.19195/0860-116X.38.1

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East Asian Westerns at/as the Limits of the Western Genre Criticism

DOI: http://dx.doi.org/10.19195/0860-116X.38.2

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Such Is Western: An Overview of the Australian Western via Ned Kelly Films

DOI: http://dx.doi.org/10.19195/0860-116X.38.3

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“Walking into the World of the Western”: David Michôd’s „The Rover” as Australian Post-Western

DOI: http://dx.doi.org/10.19195/0860-116X.38.4

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A Contaminated Landscape: Andreas Prochaska’s „The Dark Valley” as a „Nestbeschmutzer” Western

DOI: http://dx.doi.org/10.19195/0860-116X.38.5

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Disrupted Genre, Disrupted Lives: „Adieu Gary” and the Post-9/11 Banlieue as Ghost Town

DOI: http://dx.doi.org/10.19195/0860-116X.38.6

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„High Noon” at the Solidarity Corral: Wajda’s „Wałęsa” and the Classic Western

DOI: http://dx.doi.org/10.19195/0860-116X.38.7

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The Western and the War Film: Clint Eastwood’s „American Sniper” as Genre Hybrid

DOI: http://dx.doi.org/10.19195/0860-116X.38.8

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Personalizing the Apocalypse: Frontier Mythology and Genre Hybridity in „Maggie”

DOI: http://dx.doi.org/10.19195/0860-116X.38.9

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A Map of Longings: Utopian Underpinnings of Contemporary Transnational Westerns

DOI: http://dx.doi.org/10.19195/0860-116X.38.10

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Western XXI wieku — między demitologizacją a postironią

DOI: http://dx.doi.org/10.19195/0860-116X.38.11

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Recenzja: The Western and the Indian „Raison D’être”

DOI: http://dx.doi.org/10.19195/0860-116X.38.12

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Europa bije się w piersi. Recenzja książki „Postkolonialna Europa. Etnoobrazy współczesnego kina” Krzysztofa Loski

DOI: http://dx.doi.org/10.19195/0860-116X.38.13

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Recenzja: Hanna i „jej” kino. O książce Kino Hanny Schygulli (red. A Gwóźdź, Wrocław 2015)

DOI: http://dx.doi.org/10.19195/0860-116X.38.14

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